# How to get "analogue" prints colors?

**URL:** <https://forums.negativelabpro.com/t/how-to-get-analogue-prints-colors/4982>\
**Category:** Image Editing Help\
**Created:** [May 16, 2022, 12:44pm UTC](https://forums.negativelabpro.com/t/how-to-get-analogue-prints-colors/4982 "2022-05-16T12:44:10Z")\
**Posts on this page:** 1\
**Showing post:** 2

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**Author:** ![Harry](https://avatars.discourse-cdn.com/v4/letter/h/f6c823/32.png) [@Harry](https://forums.negativelabpro.com/u/Harry)\
**Post date:** [May 17, 2022, 12:18pm UTC](https://forums.negativelabpro.com/t/how-to-get-analogue-prints-colors/4982/2 "2022-05-17T12:18:53Z")

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Your question is quite similar to this one, it’s probably quite a difficult one to answer, I certainly can’t because i’ve done very few colour negatives as yet but the OP for that question did seem to get what he wanted by using the ‘Frontier’ LUT.

> [@Will the colour difference between different film stock be distinguishable?](https://forums.negativelabpro.com/t/will-the-colour-difference-between-different-film-stock-be-distinguishable/4945):
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> I have been working with Negative Lab Pro V2.3 on the trial mode just with the RAW files included and one question that has popped to mind is when scanning in different film stock for example Kodak Gold 200 and Portra 400 for example. Will NLP recognise their original colours so their will be a distinguishable difference in colour that you typically would see with different film stock? If I scan in using my digital camera I’ll be using the Canon M6 Mark II on a Manfrotto Tripod with a light pan…

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