Suggested backlight sources for scanning film with DSLR

Yes, that’s correct. I was originally planning to replace my old RaLeno PLV-S192, but I ended up returning it because there was a problem with the product. In fact, the PLV-S192 worked perfectly well for scanning 4x5 color slides and black & white film, so I decided not to purchase the P260C again. Then I came across an article about a DIY lightbox, which piqued my curiosity. :grinning_face:

Thank you, I remember your rather wonderful micro-adjustable platform now! You might want to look at the information on the light box that Darrell Davis built if you haven’t seen it before, it’s over on the Negative Lab Pro FB forum, you have to join but that’s just a formality:

Because it’s FB it’s quite hard to find everything but he built the first one back in 2018 and then gathered enough interest to make a batch this year using the best components, particularly the LEDs.

I see that the information on his first version is over on the ‘Digitizing film with a digital camera’ FB forum.

He provides a lot of background information if you go back and seek it out.

1 Like

Can you please provide more details about these pieces and where they come from. Look very nice!

Thank you for the useful information!
I’ve been having problems accessing Facebook for the past few months. I have my own personal Facebook page, and I’ve been active in several forums there, but at some point I started having trouble with the verification process and have been unable to log in.
So, unfortunately, I can’t use Facebook at the moment.
I miss Facebook.. :expressionless_face:

For the Z-axis manual linear translation stages, I used the LZ60. They are very inexpensive, but remarkably precise. They are also very well made. If you search around, you may be able to find an even cheaper supplier.

For the rails, you can find various options on AliExpress by searching for “Linear guide rail SGR.”

1 Like

Thanks a lot! Appreciate the pointers.

1 Like

I dug deeper just a little bit and got the following:

The violet shown compensates the mask of Kodak Safety Film 6014 when captured at +2 exposure, which is below any clipping. Screen (backlight) was set to about 100 cd/m2.

RGB Values are for sRGB, screen is an iMac’s that can do the values as shown.

With that background, scans are white balanced from the start and due to my camera set to UniWB, I can set exposure to +2. Different film stock has different masks, so this hue will not work the same in every case. But you’re free to test it with your stuff, using a colour managed tablet as a backlight.

Note that the colour shown by the forum software is slightly off.

1 Like

I have an app in Python which allows one to control the color of second screen/projector via sliders and even vingnetting across screen.

If anybody interested I can publish the source