Greetings- new fella here. Fast question-
I will be spending 2021 photographing and converting in LR several thousand negatives.
The negatives are in total disarray and span years.
Question: Would it be best to give them a name upon import or name them after conversion and export?
Quite a task ahead of you… and you might want to first establish what you’re after in view of asset management (finding the stuff again in a few years…)
Do I really want to get rid of the disarray?
How much effort am I willing to put into sorting, keywording etc?
I do the following
per film (or box of slides) take the shots and add one shot of the film base or the backlight for separation
copy the shots into folders that reflect the shots main content
make Lightroom read the new folders and shots
add keywords (often per film, individual images as needed)
make a backup
start batch converting along the hints given in the guide
Sometimes, negatives are unevenly exposed on my films (unmetered exposures) which makes batch conversion produce less than optimal results for a few images. These image can be re-converted individually, simply un-convert before re-converting.
Now, if your negatives are way out of anything that resembles some logic, simply do as above, set whatever folder name you like, e.g. Batch 01, Batch 02 etc. You can always sort the shots later in Lightroom, or leave them where they are, which means that you’ll solely rely on keywords.
Digitizer,
Thank you for the response. I do have my work cut out, but it will be a rewarding gift for my family this holiday season. You guidance is greatly appreciated.
Best,
andy
I would definitely do a Lightroom preset to change your filenames on import to something semi-understandable. I use one that basically gives a prefix (mine is CSFA for my archive name) plus TEMP plus the sequence of import number. Once I convert, process, tag, and assess the photos, I run another preset to give the files their final name (usually CSFA plus a Record Group Name plus a Sequence Number. The Record Group is tied to the name I give to the box/bag/envelope of the originals plus their storage folder on my computer. In that way, each frame is tied to a physical location and a computer folder. Plus, if you run a search for files with TEMP in the name, you’ll instantly find those with processing remaining.